Film studies as coursework - what is a thesis statement in a rhetorical analysis


 

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film studies as coursework

film studies as courseworkFilm studies as coursework -Each delivery will explore three different genres, provide an introduction to the history of each, an overview of its conventions, a discussion of significant media texts within that genre, and opportunities for students to critically engage with genre texts.Their individual study is facilitated by a tutor assigned to the project according to subject specialism.This module will develop further students’ understanding of and practice in screenwriting.The module explores ideas around stardom and performance, considering their significance in relation to notions of identity, cultural context, filmic narrative and audience reception.Students will present their project plan orally in a subject specific workshop and in written form to their project supervisor.The work based learning activity should enable the student to build on previous experiences and learning gained within their academic course and elsewhere.Representation and Identity The module will investigate the representation of a range of identities in film and television, made both in the mainstream and at the margins.This module considers contemporary American television in relation to industry shifts, stylistic innovation and its representation of American culture, society and politics.Our intention is that no full-time student will change campus more than once during a course of typical duration.This will include opportunities to assume specialised operational and technical roles required in ‘live’ television and gallery production, such as director, floor manager and camera operator.The student is encouraged and supported in developing the ability to identify applied knowledge and skills that enhance their work performance, ensure their continued improvement and apply theory to practice as appropriate.The assessment comprises two essays (30% and 40% respectively), a summary of online comments (20%) and a project plan (10%).Additionally, learners may in some cases be able to utilise their existing part-time / vacation employment providing they can demonstrate that it is personally developmental and involves a level of responsibility (decided upon submission of the role details by the Module Leader).It should provide learning opportunities for personal development.The Film and Televsion Studies BA degree will guide you through a combination of theoretical, historical and cultural approaches as you explore American, British, European and world cinema and television from both historical and contemporary perspectives.Considering both specific historical events and broader cultural eras, the module examines both issues of historical narrative and Hollywood’s key role in both representing and challenging norms of American culture.The 70 hours can be completed in 10 working days in a full-time mode during the summer (where available), or spread over a semester in a part-time mode.A number of case studies will be examined as the module explores shifting ideas of stardom across both eras and screen media.The earliest moves affecting new students will be in September 2018.Applicants who require a Tier 4 student visa may need to provide a Secure English Language Test (SELT) such as Academic IELTS.film studies as courseworkThe module will address genre issues across a range of media forms, including film, television, radio, advertising, literature, mass publishing, and video games.Equally, this module will engage with a range of aspects of television production, providing the opportunity for students to experience television studio operation.Students’ individual work is supported by regular consultation and feedback from their tutor and peer-led workshops.Students will develop specialist skills both in the critical and theoretical analysis of films and screenplays, and in creative writing of scripts for screen.This module will be delivered in combination with the 30 credit, Level 5, Scripting Performance for Screen and Stage module.This module enables students to undertake a short period of professional activity and to gain credit for their achievements.Teaching Period: Year Long (30 weeks)Assessment: Group presentation (20%), bibliography (30%), essay (50%) This module introduces students to key issues and personnel in the history of American cinema and television.This module will enable students to explore a range of film and television moving image texts through practical exercises, experimentation, observation, analysis and documentation.The course teaching team is made up of film and television specialists recognised internationally for research that forms an essential part of the course.Teaching Period: Year Long (30 weeks)Assessment: Textual analysis in-class test (20%), Evaluation (30%), Essay (50%) Module Code: Module Title: Film and Television Histories This module introduces students to the history of film and television from 1895 to the present.Students have formulated an initial plan in the level 5 module ‘Representation and Identity’.Studying this degree, you'll develop transferable skills that will increase your employability.Make your dreams of writing about film and television or working in the media industries a reality with this innovative course combining theory and practice.The learner should develop improved understanding of themselves, and the workplace through reflective and reflexive learning.The module also takes account of freelance operating models and emerging technology.The module explores the articulation of nationhood and national identities in European film through a variety of themes.It explores key developments, movements and trends in countries such as Britain, Italy, France, Japan, Germany, Sweden and America, including the ‘cinema of attraction’; the emergence of narrative cinema; stardom; the development of the sound film; film as propaganda; the Hollywood studio system; animation and European art cinema.Conventions of realism will be analysed in relation to changing industrial, technological and cultural contexts.It is expected that the student should work for a minimum of 70 hours, for which they will be required to provide evidence.The project incorporates both formative and summative assessment. film studies as coursework This module is taught over 30 weeks using a blended learning delivery.Applications are welcome from mature students who have passed appropriate Access or other preparatory courses or have appropriate work experience. All applicants must be able to demonstrate proficiency in the English language.Students will study the formal characteristics of screenplays and the political, social and philosophical concerns of the societies in which they have developed.The module focuses on the role of genre in media production and consumption.The student will explore the production of meaning across a range of documentary genres.Through this practical engagement with digital video and photographic technologies, students will also reach a greater understanding of a number of theories and histories relating to photography and to the moving image and sound.Students will be introduced to a range of texts and approaches which develop their understanding of both the specifics of writing for television and alternative approaches to writing for film.Whether you will be affected will depend on the duration of your course, when you start and your mode of study.The students will be introduced to theoretical approaches to analysing the representation of identity in film and visual culture, including cultural, post-colonial, feminist and queer theories.Studies will examine studios such as HBO and a variety of comedies and dramas as case studies of industrial issues and cultural representations.This module provides an opportunity to study across text, performance and creative writing.This practice-led work will be underpinned by a carefully critical approach to television conventions and analyses of television products, in order to extend students' theoretical knowledge.This module investigates theories of realism and representation in relation to documentary, whether made for cinema or television.They include European cinema and the idea of Europe; the European and the national; European art cinema; popular European genres; history, memory and the national past; space and place in European cinema; stars as national and transnational icons; diasporic national identities; European co-productions and franchised television dramas and women’s film and television in Europe.This will be combined with a study of film performance and production where students will examine how writing and performance intersect, inform, and inspire each other.The summative assessment consists of the actual project, either a written project or a film with outline, treatment and theoretical statement (90%) and the project management (10%).The modules listed below are for the academic year 2017/18 and represent the course modules at this time.This module explores issues of reception and interpretation within the field of film studies both in historical and theoretical terms.This may mean you begin your course at one location, but over the duration of the course you are relocated to one of our other campuses.This module examines the Hollywood film musical, its historical development and its relationship to American culture and identity. film studies as coursework This module explores the ways in which Hollywood film represents American history and culture.You'll develop transferable skills through a variety of teaching methods and gain key higher learning skills through additional teaching tailored to university study.The textual properties of the films and their artistic innovations will be explored in connection with the representation of youth, modernity, the city of Paris, history and gender relations.In tandem with the rise of cinephilia and the love of American cinema, the module will trace the passage from theory into practice.Practice-based projects in short filmmaking, documentary and screenwriting are informed by your growing critical awareness and are enabled by our advanced production and editing facilities.This module allows students to explore in depth a theory or theory/practice topic of their own choice, arising out of their study at levels 4 and 5 (subject to supervisor approval).Students will work in small groups to produce a short documentary through which to advance their filmmaking skills, and to engage with the challenge of representation in our culturally diverse communities.You'll be assessed with coursework, practical group work, in-class exams and a final dissertation or practice/theory project.The module will examine a variety of theoretical approaches to film In addition, the module addresses issues of film style, enabling students to develop skills of textual analysis.Typical indicative genre forms covered by the module may include: science fiction, crime drama, heist movies, romantic comedies, situation comedies, soap operas, specific genres of documentary (such as biographical documentaries or science documentaries), the thriller, film noir and neo-noir, or martial arts movies.Students will be encouraged to work as self-motivated reflective practitioners, operating effectively within the team to produce a live television programme.In the final three weeks of teaching, students will take stock of their learning at levels 4 and 5 via a period of workshops, study visits and independent research culminating in the submission of their project plan for level 6, which includes a reflective element related to their personal development planning.Modules and module details (including, but not limited to, location and time) are subject to change over time.It will introduce students to a broad range of theories, encompassing such topics as authorship, genre theory, star studies, historical poetics, film style, theories of spectatorship and psychoanalysis, feminist film theory, developments in audience studies and cultural studies.The module will examine a variety of European, including British, films in relation to their specific cultural, historical and social and political contexts, considering the way in which national identity is imagined, interrogated and contested in these films.Films will be explored in relation to a variety of generic, structural, stylistic and thematic issues.Between 20 we're investing £125 million in the London Metropolitan University campus, moving all of our activity to our current Holloway campus in Islington, north London.Students go on to work, for example, in film and television companies, independent production houses, media journalism, film marketing and publicity and cinema exhibition, as well as going forward to postgraduate study.Year 1 modules include: Module Code: Module Title: Approaches to Film and Television Description: This module investigates key approaches to the study of film as an academic discipline.Students are further supported in the development of the project via Film Studies workshops at the beginning of the academic year and at intervals throughout. film studies as coursework This module will develop further students’ understanding of and practice in screenwriting. film studies as coursework




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